Tuesday, November 24, 2009

Listening through the Window
















Excerpts from Chapter 1, from the book, KJLH-FM and the Los Angeles Riots of 1992 (McFarland, 2009)

Excerpt 1: 3847 South Crenshaw Boulevard; Compton Studios.
Two former students, Jonathan Pluskota and Tejai Maxwell, who were familiar with the Los Angeles area, joined me for a site visit to the original KJLH-FM studios. Gathering information regarding the approaching 10th anniversary of the Los Angeles riots topped our agenda. A visit to the former site helped me to visualize the April 1992 events. It was here on South Crenshaw Boulevard in Spring 1992 that two station deejays looked out the studio window to watch the civil unrest unfold before their microphones. Driving through the South Central neighborhood a decade later, it was difficult for us to imagine the massive destruction that had taken place in the community around the original KJLH location. Some buildings were still crumbled around West Boulevard and Florence, but they were not obvious at first glance when driving into the neighborhoods. The boulevard had a steady pace of cars and trucks during the days that we visited KJLH....The neighborhood was a mix of bungalows sandwiched in between businesses; and in some instances, these businesses were once homes. Many of the houses had iron bars secured across the windows and doors, but that practice among residents seemed to be fairly common within many of the business districts throughout southern Los Angeles.

*I selected these two excerpts to remind us that is is necessary to revisit and reflect on the past, and consider the ongoing issues that still plague our communities.

Excerpt 2: 161 N. La Brea Avenue: Inglewood Studios
(photos above) The station was relocated in Inglewood (about five minutes away from its original location) after its lease had expired on the 3847 South Crenshaw property in the late 1990s. It was a Monday afternoon that we visited the former KJLH studios, which once shared space with a funeral home. That story, too, is forthcoming. Much earlier that day, we headed toward the new KJLH studios; the streets were quiet – not a car in sight. I sat in the passenger seat and soaked in my surroundings. After a 20 minute drive, including a quick stop for doughnuts along the way, it was about 4 a.m. when we arrived at Inglewood studios. We parked in the gated parking garage under the KJLH offices. The station‟s garage is located directly in front of the Inglewood Police Station. Not really the ideal place to situate your station, given the acrimonious relationship between some police officers and residents in the nearby neighborhoods and the somewhat historical hostility toward news and public affairs personnel armed with an investigative spirit. We entered KJLH through the back door, went up the stairs past the front door to the lobby and then turned left and kept walking until the hallway ended. Ten years earlier, the KJLH staff could look out the big picture window to observe the looting and then burning of The Crenshaw Square Mall that was directly across the street. Now at the Inglewood location, radio personalities and reporters were tucked away in a rear corner of the building. Was this coincidental? Or perhaps, it was merely the best use of the space.

1979 to 2009

KJLH-FM celebrated its 30th anniversary in 2009, but its history goes back decades prior to Stevie Wonder's purchase of the station. KJLH has had a strong legacy in serving residents, especially the African-American community - residential and the larger community. KJLH is a rare gem in this day and age, as black-owned radio stations disappear off the dial at an alarming rate. KJLH's story proves that ownership by African-Americans means allowing for significant representation over the airwaves dominated by mainstream media., particularly during crisis. But the story KJLH offers to us all is that we should be serving our communities far before any crisis situation - this is the story of KJLH, as presented in KJLH and the Los Angeles Riots of 1992. This book is also available through Amazon.com. The term riots is not used by my choice, but it is how it is perceived to mainstream media and how such events are typically categorized, historically. Perhaps a better description would be civic unrest, a term I heard over and over by many of those I interviewed, suggesting a more accurate way to contextualize the events as they unfolded. The point is - issues at times become overshadowed by the sheer violence of riots - yet there was a message that KJLH's listeners wanted the world to hear. This book is intended to tell the "birds eye" story from the perspective of KJLH and its community of license surrounding this crisis (as well as events and station management philosophies leading up to and following these events). It was a story not communicated accurately through the lens of mainstream media for the most part. I welcome you to listen to the audio segments that weave author interviews with key personalities into KLJH's live radio broadcast, excerpted from hours and hours of on-air tape. Some of these excerpts are included as text within the book. There are no visuals to these live broadcasts - the audio is powerful alone - and by doing so, I emphasize the power of radio, Black Radio owned and operated by African-Americans. Thank you to KJLH staff and management for their invaluable assistance on this project.

Live KJLH-FM Radio Broadcasts (YouTube - "VirtualMcLuhan")
Segment 1
Segment 2
Segment 3
Segment 4


KJLH-FM and the Los Angeles Riots of 1992
Table of Contents
Preface i
Chapters
1: KJLH on Location: Soundscapes from South Crenshaw
2: KJLH’s Sphere of Influence: Assessing Black Radio’s Role in the Community
3: Lighting the Torch: KJLH and Its Black Radio Roots
4: Fueling the Passion: The Wonderful Community Mission
5: False Prophets of Corporate Radio: The Business of Black Radio
6: On-Air Vigil: KJLH’s Transformation to Talk
7: Tuned In & Out Front: Communicating Social Responsibility on Black Radio
8: Change the System: Politics of Empowerment
9: Owning a Legacy – And Hanging On to It
10: Keeping the Peace: Concluding Remarks

Epilogue: The Soul of Black Radio, E. Steven Collins
Bibliography
Index

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VirtualMcLuhan is the author's media blog with links to her work in new media.
About the author: Dr. Phylis Johnson is a long-time media professional, associate professor of media, and scholar and creative artist in radio, new media, and virtual platforms. Her book, Second Life, Media, and the Other Society (Peter Lang, 2010), explores the cultural role of media in virtual world platforms, namely Second Life. Her first book, Queer Airwaves (2001, M.E. Sharpe), with Michael Keith, examines the rise of queer media.